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Hamburg Ballett

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April 11, 2025
Artistic depiction of the event

The Odyssey

Fri, Apr 11, 2025, 19:30
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
One of the most important pieces of poetry is the epic "Odyssey" by the Greek lyricist Homer. John Neumeier decided to dedicate to this comprehensive work about the hero Odysseus and his adventurous journey at the invitation of the Athens opera and concert house Megaron in 1995. For his ballet version his aim was to get as close as possible to the roots of the epic and at the same time translate the literary original onto a level of movement. A prerequisite for this was the commissioning of a work by the Greek composer George Couroupos and the collaboration with the Greek stage and costume designer Yannis Kokkos. ten years of wandering ten years of return ten years of healing after ten years of war The Odyssey is inconceivable without war. For me, the point is that a person has to find his way back to himself after ten years of war. He must return to wholeness journeying back from a macho world of battle and war, defined in a negative sense as male, to rediscover his feminine aspect. Perhaps, this is Penelope. John Neumeier Music: George Couroupos – Commissioned Score by The Hamburg State Opera Choreography and Staging: John Neumeier Set and Costumes: Yannis Kokkos 2 hours 15 minutes | no intermission PREMIERE: Hamburg Ballet, Megaron The Athens Concert Hall, Athens, November 20, 1995 PREMIERE IN HAMBURG: Hamburg Ballet, December 17, 1995 ORIGINAL CAST: Odysseus: Ivan Liska Penelope: Anna Polikarpova Telemachos: Ivan Urban Pallas Athena: Anna Grabka He: Nicolas Musin Calypso: Heather Jurgensen Nausicaa: Bettina Beckmann Circe: Chantal Lefèvre The Sea: Laura Cazzaniga The Suitors / The War: Jirí Bubenícek, Otto Bubenícek Eurycleia: Karen Niles ON TOUR 1995 Athens 1996 Ludwigshafen, Montpellier, Genoa Nervi 1997 Sagami Ono, Osaka, Tokyo IN THE REPERTORY: Royal Danish Ballet
April 15, 2025
Artistic depiction of the event

The Odyssey

Tue, Apr 15, 2025, 19:30
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
One of the most important pieces of poetry is the epic "Odyssey" by the Greek lyricist Homer. John Neumeier decided to dedicate to this comprehensive work about the hero Odysseus and his adventurous journey at the invitation of the Athens opera and concert house Megaron in 1995. For his ballet version his aim was to get as close as possible to the roots of the epic and at the same time translate the literary original onto a level of movement. A prerequisite for this was the commissioning of a work by the Greek composer George Couroupos and the collaboration with the Greek stage and costume designer Yannis Kokkos. ten years of wandering ten years of return ten years of healing after ten years of war The Odyssey is inconceivable without war. For me, the point is that a person has to find his way back to himself after ten years of war. He must return to wholeness journeying back from a macho world of battle and war, defined in a negative sense as male, to rediscover his feminine aspect. Perhaps, this is Penelope. John Neumeier Music: George Couroupos – Commissioned Score by The Hamburg State Opera Choreography and Staging: John Neumeier Set and Costumes: Yannis Kokkos 2 hours 15 minutes | no intermission PREMIERE: Hamburg Ballet, Megaron The Athens Concert Hall, Athens, November 20, 1995 PREMIERE IN HAMBURG: Hamburg Ballet, December 17, 1995 ORIGINAL CAST: Odysseus: Ivan Liska Penelope: Anna Polikarpova Telemachos: Ivan Urban Pallas Athena: Anna Grabka He: Nicolas Musin Calypso: Heather Jurgensen Nausicaa: Bettina Beckmann Circe: Chantal Lefèvre The Sea: Laura Cazzaniga The Suitors / The War: Jirí Bubenícek, Otto Bubenícek Eurycleia: Karen Niles ON TOUR 1995 Athens 1996 Ludwigshafen, Montpellier, Genoa Nervi 1997 Sagami Ono, Osaka, Tokyo IN THE REPERTORY: Royal Danish Ballet
April 22, 2025
Artistic depiction of the event

The Odyssey

Tue, Apr 22, 2025, 19:30
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
One of the most important pieces of poetry is the epic "Odyssey" by the Greek lyricist Homer. John Neumeier decided to dedicate to this comprehensive work about the hero Odysseus and his adventurous journey at the invitation of the Athens opera and concert house Megaron in 1995. For his ballet version his aim was to get as close as possible to the roots of the epic and at the same time translate the literary original onto a level of movement. A prerequisite for this was the commissioning of a work by the Greek composer George Couroupos and the collaboration with the Greek stage and costume designer Yannis Kokkos. ten years of wandering ten years of return ten years of healing after ten years of war The Odyssey is inconceivable without war. For me, the point is that a person has to find his way back to himself after ten years of war. He must return to wholeness journeying back from a macho world of battle and war, defined in a negative sense as male, to rediscover his feminine aspect. Perhaps, this is Penelope. John Neumeier Music: George Couroupos – Commissioned Score by The Hamburg State Opera Choreography and Staging: John Neumeier Set and Costumes: Yannis Kokkos 2 hours 15 minutes | no intermission PREMIERE: Hamburg Ballet, Megaron The Athens Concert Hall, Athens, November 20, 1995 PREMIERE IN HAMBURG: Hamburg Ballet, December 17, 1995 ORIGINAL CAST: Odysseus: Ivan Liska Penelope: Anna Polikarpova Telemachos: Ivan Urban Pallas Athena: Anna Grabka He: Nicolas Musin Calypso: Heather Jurgensen Nausicaa: Bettina Beckmann Circe: Chantal Lefèvre The Sea: Laura Cazzaniga The Suitors / The War: Jirí Bubenícek, Otto Bubenícek Eurycleia: Karen Niles ON TOUR 1995 Athens 1996 Ludwigshafen, Montpellier, Genoa Nervi 1997 Sagami Ono, Osaka, Tokyo IN THE REPERTORY: Royal Danish Ballet
April 25, 2025
Artistic depiction of the event

The Odyssey

Fri, Apr 25, 2025, 19:30
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
One of the most important pieces of poetry is the epic "Odyssey" by the Greek lyricist Homer. John Neumeier decided to dedicate to this comprehensive work about the hero Odysseus and his adventurous journey at the invitation of the Athens opera and concert house Megaron in 1995. For his ballet version his aim was to get as close as possible to the roots of the epic and at the same time translate the literary original onto a level of movement. A prerequisite for this was the commissioning of a work by the Greek composer George Couroupos and the collaboration with the Greek stage and costume designer Yannis Kokkos. ten years of wandering ten years of return ten years of healing after ten years of war The Odyssey is inconceivable without war. For me, the point is that a person has to find his way back to himself after ten years of war. He must return to wholeness journeying back from a macho world of battle and war, defined in a negative sense as male, to rediscover his feminine aspect. Perhaps, this is Penelope. John Neumeier Music: George Couroupos – Commissioned Score by The Hamburg State Opera Choreography and Staging: John Neumeier Set and Costumes: Yannis Kokkos 2 hours 15 minutes | no intermission PREMIERE: Hamburg Ballet, Megaron The Athens Concert Hall, Athens, November 20, 1995 PREMIERE IN HAMBURG: Hamburg Ballet, December 17, 1995 ORIGINAL CAST: Odysseus: Ivan Liska Penelope: Anna Polikarpova Telemachos: Ivan Urban Pallas Athena: Anna Grabka He: Nicolas Musin Calypso: Heather Jurgensen Nausicaa: Bettina Beckmann Circe: Chantal Lefèvre The Sea: Laura Cazzaniga The Suitors / The War: Jirí Bubenícek, Otto Bubenícek Eurycleia: Karen Niles ON TOUR 1995 Athens 1996 Ludwigshafen, Montpellier, Genoa Nervi 1997 Sagami Ono, Osaka, Tokyo IN THE REPERTORY: Royal Danish Ballet
April 26, 2025
Artistic depiction of the event

The Odyssey

Sat, Apr 26, 2025, 19:30
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
One of the most important pieces of poetry is the epic "Odyssey" by the Greek lyricist Homer. John Neumeier decided to dedicate to this comprehensive work about the hero Odysseus and his adventurous journey at the invitation of the Athens opera and concert house Megaron in 1995. For his ballet version his aim was to get as close as possible to the roots of the epic and at the same time translate the literary original onto a level of movement. A prerequisite for this was the commissioning of a work by the Greek composer George Couroupos and the collaboration with the Greek stage and costume designer Yannis Kokkos. ten years of wandering ten years of return ten years of healing after ten years of war The Odyssey is inconceivable without war. For me, the point is that a person has to find his way back to himself after ten years of war. He must return to wholeness journeying back from a macho world of battle and war, defined in a negative sense as male, to rediscover his feminine aspect. Perhaps, this is Penelope. John Neumeier Music: George Couroupos – Commissioned Score by The Hamburg State Opera Choreography and Staging: John Neumeier Set and Costumes: Yannis Kokkos 2 hours 15 minutes | no intermission PREMIERE: Hamburg Ballet, Megaron The Athens Concert Hall, Athens, November 20, 1995 PREMIERE IN HAMBURG: Hamburg Ballet, December 17, 1995 ORIGINAL CAST: Odysseus: Ivan Liska Penelope: Anna Polikarpova Telemachos: Ivan Urban Pallas Athena: Anna Grabka He: Nicolas Musin Calypso: Heather Jurgensen Nausicaa: Bettina Beckmann Circe: Chantal Lefèvre The Sea: Laura Cazzaniga The Suitors / The War: Jirí Bubenícek, Otto Bubenícek Eurycleia: Karen Niles ON TOUR 1995 Athens 1996 Ludwigshafen, Montpellier, Genoa Nervi 1997 Sagami Ono, Osaka, Tokyo IN THE REPERTORY: Royal Danish Ballet
May 16, 2025
Artistic depiction of the event

Romeo and Juliet

Fri, May 16, 2025, 19:00
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
"John Neumeier’s Shakespeare adaptation has over time become a classic. After numerous revivals and revisions, the ballet has not lost any of its freshness. Once again, one is overwhelmed by the tragic passion of youth." Die Welt Music: Serge Prokofieff Choreography and Staging: John Neumeier Set and Costumes: Jürgen Rose 3 hours | 2 intermissions Part 1: 60 minutes, Part 2: 30 minutes, Part 3: 45 minutes PREMIERE: Frankfurt Ballet, Frankfurt, February 14, 1971 PREMIERE IN HAMBURG: The Hamburg Ballett, January 6, 1974 PREMIERE NEW VERSION IN HAMBURG: The Hamburg Ballet, December 23, 1981 ORIGINAL CAST: Juliet: Marianne Kruuse Romeo: Truman Finney Mercutio: Max Midinet Tybalt: Fred Howald Benvolio: Maximo Barra Lady Capulet: Beatrice Cordua Lord Capulet: Paul Herbinger Paris: Ricardo Duse Brother Lorenzo: Stephan Mettin The Nurse: Gertrud Schmitz ON TOUR: 1996 Genoa 2006 Cagliari 2016 Baden-Baden 2025 Venice IN THE REPERTORY: Royal Danish Ballet The Tokyo Ballet
May 17, 2025
Artistic depiction of the event

Romeo and Juliet

Sat, May 17, 2025, 19:00
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
"John Neumeier’s Shakespeare adaptation has over time become a classic. After numerous revivals and revisions, the ballet has not lost any of its freshness. Once again, one is overwhelmed by the tragic passion of youth." Die Welt Music: Serge Prokofieff Choreography and Staging: John Neumeier Set and Costumes: Jürgen Rose 3 hours | 2 intermissions Part 1: 60 minutes, Part 2: 30 minutes, Part 3: 45 minutes PREMIERE: Frankfurt Ballet, Frankfurt, February 14, 1971 PREMIERE IN HAMBURG: The Hamburg Ballett, January 6, 1974 PREMIERE NEW VERSION IN HAMBURG: The Hamburg Ballet, December 23, 1981 ORIGINAL CAST: Juliet: Marianne Kruuse Romeo: Truman Finney Mercutio: Max Midinet Tybalt: Fred Howald Benvolio: Maximo Barra Lady Capulet: Beatrice Cordua Lord Capulet: Paul Herbinger Paris: Ricardo Duse Brother Lorenzo: Stephan Mettin The Nurse: Gertrud Schmitz ON TOUR: 1996 Genoa 2006 Cagliari 2016 Baden-Baden 2025 Venice IN THE REPERTORY: Royal Danish Ballet The Tokyo Ballet
May 20, 2025
Artistic depiction of the event

Romeo and Juliet

Tue, May 20, 2025, 19:00
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
"John Neumeier’s Shakespeare adaptation has over time become a classic. After numerous revivals and revisions, the ballet has not lost any of its freshness. Once again, one is overwhelmed by the tragic passion of youth." Die Welt Music: Serge Prokofieff Choreography and Staging: John Neumeier Set and Costumes: Jürgen Rose 3 hours | 2 intermissions Part 1: 60 minutes, Part 2: 30 minutes, Part 3: 45 minutes PREMIERE: Frankfurt Ballet, Frankfurt, February 14, 1971 PREMIERE IN HAMBURG: The Hamburg Ballett, January 6, 1974 PREMIERE NEW VERSION IN HAMBURG: The Hamburg Ballet, December 23, 1981 ORIGINAL CAST: Juliet: Marianne Kruuse Romeo: Truman Finney Mercutio: Max Midinet Tybalt: Fred Howald Benvolio: Maximo Barra Lady Capulet: Beatrice Cordua Lord Capulet: Paul Herbinger Paris: Ricardo Duse Brother Lorenzo: Stephan Mettin The Nurse: Gertrud Schmitz ON TOUR: 1996 Genoa 2006 Cagliari 2016 Baden-Baden 2025 Venice IN THE REPERTORY: Royal Danish Ballet The Tokyo Ballet
May 23, 2025
Artistic depiction of the event

Romeo and Juliet

Fri, May 23, 2025, 19:00
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
"John Neumeier’s Shakespeare adaptation has over time become a classic. After numerous revivals and revisions, the ballet has not lost any of its freshness. Once again, one is overwhelmed by the tragic passion of youth." Die Welt Music: Serge Prokofieff Choreography and Staging: John Neumeier Set and Costumes: Jürgen Rose 3 hours | 2 intermissions Part 1: 60 minutes, Part 2: 30 minutes, Part 3: 45 minutes PREMIERE: Frankfurt Ballet, Frankfurt, February 14, 1971 PREMIERE IN HAMBURG: The Hamburg Ballett, January 6, 1974 PREMIERE NEW VERSION IN HAMBURG: The Hamburg Ballet, December 23, 1981 ORIGINAL CAST: Juliet: Marianne Kruuse Romeo: Truman Finney Mercutio: Max Midinet Tybalt: Fred Howald Benvolio: Maximo Barra Lady Capulet: Beatrice Cordua Lord Capulet: Paul Herbinger Paris: Ricardo Duse Brother Lorenzo: Stephan Mettin The Nurse: Gertrud Schmitz ON TOUR: 1996 Genoa 2006 Cagliari 2016 Baden-Baden 2025 Venice IN THE REPERTORY: Royal Danish Ballet The Tokyo Ballet
May 24, 2025
Artistic depiction of the event

Romeo and Juliet

Sat, May 24, 2025, 19:00
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
"John Neumeier’s Shakespeare adaptation has over time become a classic. After numerous revivals and revisions, the ballet has not lost any of its freshness. Once again, one is overwhelmed by the tragic passion of youth." Die Welt Music: Serge Prokofieff Choreography and Staging: John Neumeier Set and Costumes: Jürgen Rose 3 hours | 2 intermissions Part 1: 60 minutes, Part 2: 30 minutes, Part 3: 45 minutes PREMIERE: Frankfurt Ballet, Frankfurt, February 14, 1971 PREMIERE IN HAMBURG: The Hamburg Ballett, January 6, 1974 PREMIERE NEW VERSION IN HAMBURG: The Hamburg Ballet, December 23, 1981 ORIGINAL CAST: Juliet: Marianne Kruuse Romeo: Truman Finney Mercutio: Max Midinet Tybalt: Fred Howald Benvolio: Maximo Barra Lady Capulet: Beatrice Cordua Lord Capulet: Paul Herbinger Paris: Ricardo Duse Brother Lorenzo: Stephan Mettin The Nurse: Gertrud Schmitz ON TOUR: 1996 Genoa 2006 Cagliari 2016 Baden-Baden 2025 Venice IN THE REPERTORY: Royal Danish Ballet The Tokyo Ballet
May 30, 2025
Artistic depiction of the event

Romeo and Juliet

Fri, May 30, 2025, 19:00
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
"John Neumeier’s Shakespeare adaptation has over time become a classic. After numerous revivals and revisions, the ballet has not lost any of its freshness. Once again, one is overwhelmed by the tragic passion of youth." Die Welt Music: Serge Prokofieff Choreography and Staging: John Neumeier Set and Costumes: Jürgen Rose 3 hours | 2 intermissions Part 1: 60 minutes, Part 2: 30 minutes, Part 3: 45 minutes PREMIERE: Frankfurt Ballet, Frankfurt, February 14, 1971 PREMIERE IN HAMBURG: The Hamburg Ballett, January 6, 1974 PREMIERE NEW VERSION IN HAMBURG: The Hamburg Ballet, December 23, 1981 ORIGINAL CAST: Juliet: Marianne Kruuse Romeo: Truman Finney Mercutio: Max Midinet Tybalt: Fred Howald Benvolio: Maximo Barra Lady Capulet: Beatrice Cordua Lord Capulet: Paul Herbinger Paris: Ricardo Duse Brother Lorenzo: Stephan Mettin The Nurse: Gertrud Schmitz ON TOUR: 1996 Genoa 2006 Cagliari 2016 Baden-Baden 2025 Venice IN THE REPERTORY: Royal Danish Ballet The Tokyo Ballet
June 1, 2025
Artistic depiction of the event

Romeo and Juliet

Sun, Jun 1, 2025, 17:00
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
"John Neumeier’s Shakespeare adaptation has over time become a classic. After numerous revivals and revisions, the ballet has not lost any of its freshness. Once again, one is overwhelmed by the tragic passion of youth." Die Welt Music: Serge Prokofieff Choreography and Staging: John Neumeier Set and Costumes: Jürgen Rose 3 hours | 2 intermissions Part 1: 60 minutes, Part 2: 30 minutes, Part 3: 45 minutes PREMIERE: Frankfurt Ballet, Frankfurt, February 14, 1971 PREMIERE IN HAMBURG: The Hamburg Ballett, January 6, 1974 PREMIERE NEW VERSION IN HAMBURG: The Hamburg Ballet, December 23, 1981 ORIGINAL CAST: Juliet: Marianne Kruuse Romeo: Truman Finney Mercutio: Max Midinet Tybalt: Fred Howald Benvolio: Maximo Barra Lady Capulet: Beatrice Cordua Lord Capulet: Paul Herbinger Paris: Ricardo Duse Brother Lorenzo: Stephan Mettin The Nurse: Gertrud Schmitz ON TOUR: 1996 Genoa 2006 Cagliari 2016 Baden-Baden 2025 Venice IN THE REPERTORY: Royal Danish Ballet The Tokyo Ballet
June 11, 2025
Artistic depiction of the event

Nijinsky

Wed, Jun 11, 2025, 19:30
Maria Seletskaja (Conductor), Hamburg Ballett (Ensemble), Philharmonisches Staatsorchester Hamburg (Orchestra)
"Nijinsky" is the title of this "choreographic approach" to a dance phenomenon that has been part of Neumeier's life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more awe-inspiring and sensational quality. All three aspects - the dancer, the choreographer and the person Nijinsky - form the starting point for John Neumeier's latest creation. Neumeier, who as early as 1979 presented a short ballet "Vaslav", is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: "In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made..." Two major works form the musical basis of the ballet: Rimsky-Korsakov's symphonic poem "Scheherazade", and the 11th Symphony of Dmitri Shostakovich, subtitled "The year 1905". Furthermore, there are two short piano pieces, used for the prologue - Chopin's C minor prélude and "Carnaval" by Schumann - as well as the adagio movement from Shostakovich's sonata for viola and piano, his last work. "Nijinsky" is not a biographical ballet: "A ballet can never be a documentary", Neumeier says. "It is basically a biography of the soul, a biography of feelings and sensations. Perhaps, a particular situation, historical or imagined, might be suggested. But this is not a narrative ballet. Perhaps it's not even one single complete ballet, but a series of choreographic approaches to the enormous theme: Nijinsky. In the end, it's important that it is a ballet, a work of art in itself, understandable, enjoyable, and moving - without having read a single word about Nijinsky." The ballet begins in a reconstruction of the "Festsaal" in the Suvretta-Haus, a hotel in St-Moritz, the room of Nijinsky's last performance as a dancer: it is a moment of transition, a place of memory and premonition. The set and costumes have been designed by John Neumeier. To show various aspects of the person and performer Nijinsky, he has chosen to have several dancers represent fragments of Nijinsky's persona. Music: Frédéric Chopin, Robert Schumann, Nikolai Rimsky-Korsakov, Dmitri Shostakovich Choreography, Set and Costumes: John Neumeier based partly on original sketches by Léon Bakst and Alexandre Benois 2 hours 30 minutes | 1 intermission Part 1: 65 minutes, Part 2: 60 minutes WORLD PREMIERE: The Hamburg Ballet, Hamburg, July 2, 2000 ORIGINAL CAST: Vaslav Nijinsky: Jirí Bubenícek Romola Nijinsky: Anna Polikarpova Bronislava Nijinska: Elizabeth Loscavio Stanislav Nijinsky: Yukichi Hattori Serge Diaghilev: Ivan Urban Eleonora Bereda: Joëlle Boulogne Thomas Nijinsky: Carsten Jung The Ballerina, Tamara Karsavina: Heather Jurgensen The new dancer, Leonid Massine: Guido Warsany Nijinsky - The Dancer: as Arlequin in "Carnaval": Alexandre Riabko as the spirit of the rose in "Le Spectre de la rose": Alexandre Riabko as the Golden Slave in "Sheherazade": Otto Bubenícek as the Young Man in "Jeux": Guido Warsany as the Faun in "L'Après-midi d'un faune": Otto Bubenícek as Petrushka in "Petrushka": Lloyd Riggins ON TOUR: 2001 Hanover 2002 Copenhagen, Baden-Baden 2003 Hong Kong, Madrid, Paris, St. Petersburg 2004 New York, Orange County (CA), Reggio Emilia, Washington 2005 Tokyo 2009 Monte-Carlo 2011 Stuttgart 2012 Beijing, Shanghai, Brisbaine 2013 Chicago, San Francisco 2017 Baden-Baden 2018 Tokyo 2020 Macao 2025 Baden-Baden IN THE REPERTORY: Semperoper Ballett The Australian Ballet The National Ballet of Canada
June 13, 2025
Artistic depiction of the event

Nijinsky

Fri, Jun 13, 2025, 19:30
Maria Seletskaja (Conductor), Hamburg Ballett (Ensemble), Philharmonisches Staatsorchester Hamburg (Orchestra)
"Nijinsky" is the title of this "choreographic approach" to a dance phenomenon that has been part of Neumeier's life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more awe-inspiring and sensational quality. All three aspects - the dancer, the choreographer and the person Nijinsky - form the starting point for John Neumeier's latest creation. Neumeier, who as early as 1979 presented a short ballet "Vaslav", is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: "In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made..." Two major works form the musical basis of the ballet: Rimsky-Korsakov's symphonic poem "Scheherazade", and the 11th Symphony of Dmitri Shostakovich, subtitled "The year 1905". Furthermore, there are two short piano pieces, used for the prologue - Chopin's C minor prélude and "Carnaval" by Schumann - as well as the adagio movement from Shostakovich's sonata for viola and piano, his last work. "Nijinsky" is not a biographical ballet: "A ballet can never be a documentary", Neumeier says. "It is basically a biography of the soul, a biography of feelings and sensations. Perhaps, a particular situation, historical or imagined, might be suggested. But this is not a narrative ballet. Perhaps it's not even one single complete ballet, but a series of choreographic approaches to the enormous theme: Nijinsky. In the end, it's important that it is a ballet, a work of art in itself, understandable, enjoyable, and moving - without having read a single word about Nijinsky." The ballet begins in a reconstruction of the "Festsaal" in the Suvretta-Haus, a hotel in St-Moritz, the room of Nijinsky's last performance as a dancer: it is a moment of transition, a place of memory and premonition. The set and costumes have been designed by John Neumeier. To show various aspects of the person and performer Nijinsky, he has chosen to have several dancers represent fragments of Nijinsky's persona. Music: Frédéric Chopin, Robert Schumann, Nikolai Rimsky-Korsakov, Dmitri Shostakovich Choreography, Set and Costumes: John Neumeier based partly on original sketches by Léon Bakst and Alexandre Benois 2 hours 30 minutes | 1 intermission Part 1: 65 minutes, Part 2: 60 minutes WORLD PREMIERE: The Hamburg Ballet, Hamburg, July 2, 2000 ORIGINAL CAST: Vaslav Nijinsky: Jirí Bubenícek Romola Nijinsky: Anna Polikarpova Bronislava Nijinska: Elizabeth Loscavio Stanislav Nijinsky: Yukichi Hattori Serge Diaghilev: Ivan Urban Eleonora Bereda: Joëlle Boulogne Thomas Nijinsky: Carsten Jung The Ballerina, Tamara Karsavina: Heather Jurgensen The new dancer, Leonid Massine: Guido Warsany Nijinsky - The Dancer: as Arlequin in "Carnaval": Alexandre Riabko as the spirit of the rose in "Le Spectre de la rose": Alexandre Riabko as the Golden Slave in "Sheherazade": Otto Bubenícek as the Young Man in "Jeux": Guido Warsany as the Faun in "L'Après-midi d'un faune": Otto Bubenícek as Petrushka in "Petrushka": Lloyd Riggins ON TOUR: 2001 Hanover 2002 Copenhagen, Baden-Baden 2003 Hong Kong, Madrid, Paris, St. Petersburg 2004 New York, Orange County (CA), Reggio Emilia, Washington 2005 Tokyo 2009 Monte-Carlo 2011 Stuttgart 2012 Beijing, Shanghai, Brisbaine 2013 Chicago, San Francisco 2017 Baden-Baden 2018 Tokyo 2020 Macao 2025 Baden-Baden IN THE REPERTORY: Semperoper Ballett The Australian Ballet The National Ballet of Canada
June 19, 2025
Artistic depiction of the event

Nijinsky

Thu, Jun 19, 2025, 19:30
Maria Seletskaja (Conductor), Hamburg Ballett (Ensemble), Philharmonisches Staatsorchester Hamburg (Orchestra)
"Nijinsky" is the title of this "choreographic approach" to a dance phenomenon that has been part of Neumeier's life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more awe-inspiring and sensational quality. All three aspects - the dancer, the choreographer and the person Nijinsky - form the starting point for John Neumeier's latest creation. Neumeier, who as early as 1979 presented a short ballet "Vaslav", is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: "In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made..." Two major works form the musical basis of the ballet: Rimsky-Korsakov's symphonic poem "Scheherazade", and the 11th Symphony of Dmitri Shostakovich, subtitled "The year 1905". Furthermore, there are two short piano pieces, used for the prologue - Chopin's C minor prélude and "Carnaval" by Schumann - as well as the adagio movement from Shostakovich's sonata for viola and piano, his last work. "Nijinsky" is not a biographical ballet: "A ballet can never be a documentary", Neumeier says. "It is basically a biography of the soul, a biography of feelings and sensations. Perhaps, a particular situation, historical or imagined, might be suggested. But this is not a narrative ballet. Perhaps it's not even one single complete ballet, but a series of choreographic approaches to the enormous theme: Nijinsky. In the end, it's important that it is a ballet, a work of art in itself, understandable, enjoyable, and moving - without having read a single word about Nijinsky." The ballet begins in a reconstruction of the "Festsaal" in the Suvretta-Haus, a hotel in St-Moritz, the room of Nijinsky's last performance as a dancer: it is a moment of transition, a place of memory and premonition. The set and costumes have been designed by John Neumeier. To show various aspects of the person and performer Nijinsky, he has chosen to have several dancers represent fragments of Nijinsky's persona. Music: Frédéric Chopin, Robert Schumann, Nikolai Rimsky-Korsakov, Dmitri Shostakovich Choreography, Set and Costumes: John Neumeier based partly on original sketches by Léon Bakst and Alexandre Benois 2 hours 30 minutes | 1 intermission Part 1: 65 minutes, Part 2: 60 minutes WORLD PREMIERE: The Hamburg Ballet, Hamburg, July 2, 2000 ORIGINAL CAST: Vaslav Nijinsky: Jirí Bubenícek Romola Nijinsky: Anna Polikarpova Bronislava Nijinska: Elizabeth Loscavio Stanislav Nijinsky: Yukichi Hattori Serge Diaghilev: Ivan Urban Eleonora Bereda: Joëlle Boulogne Thomas Nijinsky: Carsten Jung The Ballerina, Tamara Karsavina: Heather Jurgensen The new dancer, Leonid Massine: Guido Warsany Nijinsky - The Dancer: as Arlequin in "Carnaval": Alexandre Riabko as the spirit of the rose in "Le Spectre de la rose": Alexandre Riabko as the Golden Slave in "Sheherazade": Otto Bubenícek as the Young Man in "Jeux": Guido Warsany as the Faun in "L'Après-midi d'un faune": Otto Bubenícek as Petrushka in "Petrushka": Lloyd Riggins ON TOUR: 2001 Hanover 2002 Copenhagen, Baden-Baden 2003 Hong Kong, Madrid, Paris, St. Petersburg 2004 New York, Orange County (CA), Reggio Emilia, Washington 2005 Tokyo 2009 Monte-Carlo 2011 Stuttgart 2012 Beijing, Shanghai, Brisbaine 2013 Chicago, San Francisco 2017 Baden-Baden 2018 Tokyo 2020 Macao 2025 Baden-Baden IN THE REPERTORY: Semperoper Ballett The Australian Ballet The National Ballet of Canada
June 20, 2025
Artistic depiction of the event

Nijinsky

Fri, Jun 20, 2025, 19:30
Maria Seletskaja (Conductor), Hamburg Ballett (Ensemble), Philharmonisches Staatsorchester Hamburg (Orchestra)
"Nijinsky" is the title of this "choreographic approach" to a dance phenomenon that has been part of Neumeier's life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more awe-inspiring and sensational quality. All three aspects - the dancer, the choreographer and the person Nijinsky - form the starting point for John Neumeier's latest creation. Neumeier, who as early as 1979 presented a short ballet "Vaslav", is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: "In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made..." Two major works form the musical basis of the ballet: Rimsky-Korsakov's symphonic poem "Scheherazade", and the 11th Symphony of Dmitri Shostakovich, subtitled "The year 1905". Furthermore, there are two short piano pieces, used for the prologue - Chopin's C minor prélude and "Carnaval" by Schumann - as well as the adagio movement from Shostakovich's sonata for viola and piano, his last work. "Nijinsky" is not a biographical ballet: "A ballet can never be a documentary", Neumeier says. "It is basically a biography of the soul, a biography of feelings and sensations. Perhaps, a particular situation, historical or imagined, might be suggested. But this is not a narrative ballet. Perhaps it's not even one single complete ballet, but a series of choreographic approaches to the enormous theme: Nijinsky. In the end, it's important that it is a ballet, a work of art in itself, understandable, enjoyable, and moving - without having read a single word about Nijinsky." The ballet begins in a reconstruction of the "Festsaal" in the Suvretta-Haus, a hotel in St-Moritz, the room of Nijinsky's last performance as a dancer: it is a moment of transition, a place of memory and premonition. The set and costumes have been designed by John Neumeier. To show various aspects of the person and performer Nijinsky, he has chosen to have several dancers represent fragments of Nijinsky's persona. Music: Frédéric Chopin, Robert Schumann, Nikolai Rimsky-Korsakov, Dmitri Shostakovich Choreography, Set and Costumes: John Neumeier based partly on original sketches by Léon Bakst and Alexandre Benois 2 hours 30 minutes | 1 intermission Part 1: 65 minutes, Part 2: 60 minutes WORLD PREMIERE: The Hamburg Ballet, Hamburg, July 2, 2000 ORIGINAL CAST: Vaslav Nijinsky: Jirí Bubenícek Romola Nijinsky: Anna Polikarpova Bronislava Nijinska: Elizabeth Loscavio Stanislav Nijinsky: Yukichi Hattori Serge Diaghilev: Ivan Urban Eleonora Bereda: Joëlle Boulogne Thomas Nijinsky: Carsten Jung The Ballerina, Tamara Karsavina: Heather Jurgensen The new dancer, Leonid Massine: Guido Warsany Nijinsky - The Dancer: as Arlequin in "Carnaval": Alexandre Riabko as the spirit of the rose in "Le Spectre de la rose": Alexandre Riabko as the Golden Slave in "Sheherazade": Otto Bubenícek as the Young Man in "Jeux": Guido Warsany as the Faun in "L'Après-midi d'un faune": Otto Bubenícek as Petrushka in "Petrushka": Lloyd Riggins ON TOUR: 2001 Hanover 2002 Copenhagen, Baden-Baden 2003 Hong Kong, Madrid, Paris, St. Petersburg 2004 New York, Orange County (CA), Reggio Emilia, Washington 2005 Tokyo 2009 Monte-Carlo 2011 Stuttgart 2012 Beijing, Shanghai, Brisbaine 2013 Chicago, San Francisco 2017 Baden-Baden 2018 Tokyo 2020 Macao 2025 Baden-Baden IN THE REPERTORY: Semperoper Ballett The Australian Ballet The National Ballet of Canada
July 6, 2025
Artistic depiction of the event

Demian

Sun, Jul 6, 2025, 18:00
Hamburg Ballett (Ensemble), Vitali Alekseenok (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
Demis Volpi creates his first full-length ballet for the Hamburg Ballet loosely based on Hermann Hesse’s "Demian" – a coming-of-age novel which, during the course of the 20th century has cyclically resurfaced, usually in times of major global political conflict. In the novel a man looks back on his childhood and youth, pondering on the events which have shaped him and the beliefs and forces from which he emancipated himself. Questions about the essence of good and evil, the inevitable encounter with one's own demons and the inner struggle which is reflected in the larger, global strife form a profound foundation for exploring fundamental questions about life, the world and one’s place in it. Do we face the darkness, the foreboding, the restlessness? Or do we block them out? What choices to we make? And: will the ground we thought was safe actually hold us? Choreography: Demis Volpi Music: N.N. Libretto: Maurice Lenhard Dramaturgy: Vivien Arnold Set: Stefanie Braun Costumes: Thomas Lempertz Lighting Design: Bonnie Beecher PREMIERE : Hamburg Ballet, State Opera, Hamburg, July 6, 2025
July 8, 2025
Artistic depiction of the event

Demian

Tue, Jul 8, 2025, 19:30
Hamburg Ballett (Ensemble), Vitali Alekseenok (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
Demis Volpi creates his first full-length ballet for the Hamburg Ballet loosely based on Hermann Hesse’s "Demian" – a coming-of-age novel which, during the course of the 20th century has cyclically resurfaced, usually in times of major global political conflict. In the novel a man looks back on his childhood and youth, pondering on the events which have shaped him and the beliefs and forces from which he emancipated himself. Questions about the essence of good and evil, the inevitable encounter with one's own demons and the inner struggle which is reflected in the larger, global strife form a profound foundation for exploring fundamental questions about life, the world and one’s place in it. Do we face the darkness, the foreboding, the restlessness? Or do we block them out? What choices to we make? And: will the ground we thought was safe actually hold us? Choreography: Demis Volpi Music: N.N. Libretto: Maurice Lenhard Dramaturgy: Vivien Arnold Set: Stefanie Braun Costumes: Thomas Lempertz Lighting Design: Bonnie Beecher PREMIERE : Hamburg Ballet, State Opera, Hamburg, July 6, 2025
July 9, 2025
Artistic depiction of the event

Romeo and Juliet

Wed, Jul 9, 2025, 19:00
Hamburg Ballett (Ensemble), Markus Lehtinen (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
"John Neumeier’s Shakespeare adaptation has over time become a classic. After numerous revivals and revisions, the ballet has not lost any of its freshness. Once again, one is overwhelmed by the tragic passion of youth." Die Welt Music: Serge Prokofieff Choreography and Staging: John Neumeier Set and Costumes: Jürgen Rose 3 hours | 2 intermissions Part 1: 60 minutes, Part 2: 30 minutes, Part 3: 45 minutes PREMIERE: Frankfurt Ballet, Frankfurt, February 14, 1971 PREMIERE IN HAMBURG: The Hamburg Ballett, January 6, 1974 PREMIERE NEW VERSION IN HAMBURG: The Hamburg Ballet, December 23, 1981 ORIGINAL CAST: Juliet: Marianne Kruuse Romeo: Truman Finney Mercutio: Max Midinet Tybalt: Fred Howald Benvolio: Maximo Barra Lady Capulet: Beatrice Cordua Lord Capulet: Paul Herbinger Paris: Ricardo Duse Brother Lorenzo: Stephan Mettin The Nurse: Gertrud Schmitz ON TOUR: 1996 Genoa 2006 Cagliari 2016 Baden-Baden 2025 Venice IN THE REPERTORY: Royal Danish Ballet The Tokyo Ballet
July 15, 2025
Artistic depiction of the event

Nijinsky

Tue, Jul 15, 2025, 19:30
Maria Seletskaja (Conductor), Hamburg Ballett (Ensemble), Philharmonisches Staatsorchester Hamburg (Orchestra)
"Nijinsky" is the title of this "choreographic approach" to a dance phenomenon that has been part of Neumeier's life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more awe-inspiring and sensational quality. All three aspects - the dancer, the choreographer and the person Nijinsky - form the starting point for John Neumeier's latest creation. Neumeier, who as early as 1979 presented a short ballet "Vaslav", is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: "In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made..." Two major works form the musical basis of the ballet: Rimsky-Korsakov's symphonic poem "Scheherazade", and the 11th Symphony of Dmitri Shostakovich, subtitled "The year 1905". Furthermore, there are two short piano pieces, used for the prologue - Chopin's C minor prélude and "Carnaval" by Schumann - as well as the adagio movement from Shostakovich's sonata for viola and piano, his last work. "Nijinsky" is not a biographical ballet: "A ballet can never be a documentary", Neumeier says. "It is basically a biography of the soul, a biography of feelings and sensations. Perhaps, a particular situation, historical or imagined, might be suggested. But this is not a narrative ballet. Perhaps it's not even one single complete ballet, but a series of choreographic approaches to the enormous theme: Nijinsky. In the end, it's important that it is a ballet, a work of art in itself, understandable, enjoyable, and moving - without having read a single word about Nijinsky." The ballet begins in a reconstruction of the "Festsaal" in the Suvretta-Haus, a hotel in St-Moritz, the room of Nijinsky's last performance as a dancer: it is a moment of transition, a place of memory and premonition. The set and costumes have been designed by John Neumeier. To show various aspects of the person and performer Nijinsky, he has chosen to have several dancers represent fragments of Nijinsky's persona. Music: Frédéric Chopin, Robert Schumann, Nikolai Rimsky-Korsakov, Dmitri Shostakovich Choreography, Set and Costumes: John Neumeier based partly on original sketches by Léon Bakst and Alexandre Benois 2 hours 30 minutes | 1 intermission Part 1: 65 minutes, Part 2: 60 minutes WORLD PREMIERE: The Hamburg Ballet, Hamburg, July 2, 2000 ORIGINAL CAST: Vaslav Nijinsky: Jirí Bubenícek Romola Nijinsky: Anna Polikarpova Bronislava Nijinska: Elizabeth Loscavio Stanislav Nijinsky: Yukichi Hattori Serge Diaghilev: Ivan Urban Eleonora Bereda: Joëlle Boulogne Thomas Nijinsky: Carsten Jung The Ballerina, Tamara Karsavina: Heather Jurgensen The new dancer, Leonid Massine: Guido Warsany Nijinsky - The Dancer: as Arlequin in "Carnaval": Alexandre Riabko as the spirit of the rose in "Le Spectre de la rose": Alexandre Riabko as the Golden Slave in "Sheherazade": Otto Bubenícek as the Young Man in "Jeux": Guido Warsany as the Faun in "L'Après-midi d'un faune": Otto Bubenícek as Petrushka in "Petrushka": Lloyd Riggins ON TOUR: 2001 Hanover 2002 Copenhagen, Baden-Baden 2003 Hong Kong, Madrid, Paris, St. Petersburg 2004 New York, Orange County (CA), Reggio Emilia, Washington 2005 Tokyo 2009 Monte-Carlo 2011 Stuttgart 2012 Beijing, Shanghai, Brisbaine 2013 Chicago, San Francisco 2017 Baden-Baden 2018 Tokyo 2020 Macao 2025 Baden-Baden IN THE REPERTORY: Semperoper Ballett The Australian Ballet The National Ballet of Canada
July 16, 2025
Artistic depiction of the event

Demian

Wed, Jul 16, 2025, 19:30
Hamburg Ballett (Ensemble), Vitali Alekseenok (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
Demis Volpi creates his first full-length ballet for the Hamburg Ballet loosely based on Hermann Hesse’s "Demian" – a coming-of-age novel which, during the course of the 20th century has cyclically resurfaced, usually in times of major global political conflict. In the novel a man looks back on his childhood and youth, pondering on the events which have shaped him and the beliefs and forces from which he emancipated himself. Questions about the essence of good and evil, the inevitable encounter with one's own demons and the inner struggle which is reflected in the larger, global strife form a profound foundation for exploring fundamental questions about life, the world and one’s place in it. Do we face the darkness, the foreboding, the restlessness? Or do we block them out? What choices to we make? And: will the ground we thought was safe actually hold us? Choreography: Demis Volpi Music: N.N. Libretto: Maurice Lenhard Dramaturgy: Vivien Arnold Set: Stefanie Braun Costumes: Thomas Lempertz Lighting Design: Bonnie Beecher PREMIERE : Hamburg Ballet, State Opera, Hamburg, July 6, 2025
July 17, 2025
Artistic depiction of the event

The Times Are Racing

Thu, Jul 17, 2025, 19:30
Hamburg Ballett (Ensemble), Vitali Alekseenok (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
How time flies. And how times change. The mixed bill "The Times Are Racing" brings together four diverse choreographies spanning the last 50 years of dance history. ADAGIO From "Adagio – Five Songs by Gustav Mahler" Choreography: Pina Bausch Music: Gustav Mahler – Adagio aus der 10. Sinfonie Set Design, Costumes: Karl Kneidl Adaption Set Design: Gerburg Stoffel Reconstruction Light: Benjamin Schälike Reconstruction Costume: Kerstin Krüger Staging: Jo Ann Endicott, Breanna O'Mara, Scott Jennings 25 minutes A Reconstruction by the Pina Bausch Foundation with the Hamburg Ballet 2024 WORLD PREMIERE: Tanztheater Wuppertal Pina Bausch, Opernhaus Wuppertal, 8. Dezember 1974 In 1974, in her second season as Artistic Director in Wuppertal, Pina Bausch choreographed "Adagio" as the opening of a two-part piece. 50 years later, the Hamburg Ballet under Demis Volpi will reconstruct this seminal work and return it to the stage for the first time in decades. In a poetic situation typical of Bausch's works, the first movement of Gustav Mahler's 10th Symphony, played by the Hamburg Philharmonic State Orchestra, unfolds. In seemingly random encounters and seemingly everyday movements, dance and theatrical expression create a subtle drama of absorbing intensity. Bausch lets the dancers go through profoundly human states, whether rapture or despair, resistance or devotion. VARIATIONS FOR TWO COUPLES Choreography: Hans van Manen Music: Benjamin Britten – String Quartet in F majeur, Second Movement Einojuhani Rautavaara – Kopsin Jonas aus Pelimannit (The Fiddlers), Opus 1 Stevan Kovacs Tickmayer – Lasset uns den nicht zerteilen, after Johann Sebastian Bach Astor Piazzolla – Melodía en la menor (Canto de Octubre), arrangement for Violin Solo and String, Orchestra by Bob Zimmerman Set and Costumes: Keso Dekker Lighting Design: Bert Dalhuysen Staging: Rachel Beaujean, Jozef Varga 15 minutes WORLD PREMIERE: Dutch National Ballet, Dutch National Opera, Amsterdam, February 15, 2012 "Variations for Two Couples" is a classic Hans van Manen. The Dutch choreographer is a master at creating relationships full of intent and tension. The two couples which give the piece its title perform one after the other, alternating and observing each other. Each couple seems familiar with the other, even provoking each other playfully from time to time. The movement is neo-classical, strict and controlled, but occasionally interrupted by elements of ballroom dance or the flexed hands typical of van Manen. Van Manen's choreography from 2012 is elegantly erotic, simple and yet highly virtuosic, with an unerring sense of timing and a twinkle in the eye in all the right places. The atmospheric set and streamlined costumes were designed by Keso Dekker, a long-standing collaborator of van Manen with over 60 joint creations. THE THING WITH FEATHERS Choreography: Demis Volpi Music: Richard Strauss – Metamorphoses for 23 Solo Strings Set: Demis Volpi Costumes: Thomas Lempertz Lighting Design: Volker Weinhart Dramaturgy: Julia Schinke 30 minutes WORLD PREMIERE: Ballett am Rhein, Opera House, Dusseldorf, April 29, 2023 Demis Volpi will introduce himself to Hamburg audiences with his 2023 work "The thing with feathers". The title of the ballet is borrowed from the poem "Hope is the thing with feathers" by Emily Dickinson. The piece is a gesture of open arms, a tribute to individuality embedded in the belief in a community permeated by care and humanity. To Richard Strauss' "Metamorphoses", Volpi creates a touching interplay of sadness, joy and desire while optimistically illuminating the ephemeral nature of dance. Conductor Vitali Alekseenok describes Strauss' "Metamorphosen", a work for 23 solo string players, as a cloud of sound in which you immerse yourself and lose track of time. For him, Volpi's choreography is a visualization of the music: individual lines of sound combine with the form of the human body and reinforce each other. THE TIMES ARE RACING Choreography: Justin Peck Music: Dan Deacon – USA I-IV from the album "America" Costumes: Humberto Leon Lighting Design: Brandon Stirling Baker Staging: Craig Salstein 25 minutes WORLD PREMIERE: New York City Ballet, David H. Koch Theater, New York, January 26, 2017 The Times Are Racing was commissioned by the New York City Ballet PREMIERE IN HAMBURG Hamburg Ballet, Staatsoper, September 28, 2024 Ballet doesn't get any cooler than this! Justin Peck's eponymous "The Times Are Racing" provides an emphatic finale to this quadruple bill. Peck, Resident Choreographer of the New York City Ballet since 2014, clearly comes from the neoclassical tradition of George Balanchine. With "The Times Are Racing" he has created a brilliantly fresh and uplifting work. The dancers wear sneakers, which gives their movements a youthful spontaneity far from the balletic ideal. Peck’s choreographic language is permeated by fast-paced and complex footwork reminiscent of tap dance, which the choreographer studied as a child. Set to Dan Deacon's "America", Peck's work is an examination of his homeland, the vastness and the pace of the country, its hopeful ideals, but also the political reality of division. The colourful, pedestrian costumes by fashion designer Humberto Leon are occasionally adorned with political messages such as "Resist", "Unite" and "Act". Like the sneakers, the costumes invite the audience to identify with the dancers. The Hamburg Ballet is the first European company to present this ground breaking, iconic choreography by Justin Peck. 2 hours 30 minutes | 2 intermissions Part 1: 25 minutes, Part 2: 45 minutes, Part 3: 25 minutes
July 18, 2025
Artistic depiction of the event

Slow Burn

Fri, Jul 18, 2025, 19:30
Hamburg Ballett (Ensemble), Simon Hewett (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
Especially in the context of romantic relationships, the term "slow burn" refers to the slow maturing of deep feelings. Will you take your time to appreciate this evening or are you more of a love-at-first-sight type? Whichever you are, this double bill will most probably make you a believer. William Forsythe is undisputedly one of the most important dance creators of our time. The reference point and characteristic feature of his "Blake Works V (The Barre Project)" is the eponymous ballet barre placed on stage, which simultaneously creates the illusion of infinity by reaching far into the wings. “The Barre Project” was conceived at the height of the pandemic as an homage to the legions of dancers who, while holding on to any available piece of domestic furniture, attempted to sustain their professional abilities with at-home barre exercises. The piece was created via Zoom meetings and first broadcast in 2021. Since then, this production has inspired a number of adaptations of this work for the stage, including the version which will be performed in Hamburg: "Blake Works V (The Barre Project)". Forsythe's choreography is a must for all fans of classical ballet, as it combines the grace of form and the unbridled joy of dance. "Let everything happen to you: beauty and terror." This quote by Rainer Maria Rilke fascinates choreographer Aszure Barton due to the connection between the two extremes. Joy and pain are just two sides of the same coin. In her world premiere "Slow Burn" for the Hamburg Ballet, the choreographer places two women at the center, contrasting them with large ensemble scenes. Barton sees wisdom, strength, and patience in older women as an often overlooked force in our society. The dance is set to a new composition for a large orchestra by Ambrose Akinmusire, which will particularly captivate film music fans. For the costumes of "Slow Burn," designer Michelle Jank drew inspiration from the rich opera and ballet stock costumes of the Hamburg State Opera. In line with the concept of "working with what's there," she used discarded costumes and fabrics and transformed them into new creations. SLOW BURN (World Premiere) Choreography: Aszure Barton Music: Ambrose Akinmusire Set: Aszure Barton, Michelle Jank, Tanja Rühl Costumes: Michelle Jank Lighting Design: Tanja Rühl Dramaturgy: Carmen Kovacs Conductor: Simon Hewett Orchestra: Hamburg Philharmonic State Orchestra WORLD PREMIERE: Hamburg Ballet, Hamburg, December 8, 2024 ORIGINAL CAST: Wise Women: Silvia Azzoni, Madoka Sugai Joy: Lormaigne Bockmühl EmpathyDaniele Bonelli The Allies: Evan L'Hirondelle, Artem Prokopchuk BLAKE WORKS V (THE BARRE PROJECT) Choreography: William Forsythe Music: James Blake Set: William Forsythe Costumes: William Forsythe, Howard Merlin Lighting Design: Tanja Rühl after the Original by Brandon Stirling Baker Sound: Niels Lanz Recorded music WORLD PREMIERE: May 10, 2023 Ballet Company Teatro alla Scala, Teatro alla Scala, Milan, Italy. Originating from "The Barre Project (Blake Works II)", created and filmed in 2020 for its first broadcast on March 25, 2021, on the CLI Studio Digital Platform www.clistudios.com PREMIERE IN HAMBURG Hamburg Ballet, December 8, 2024 ORIGINAL CAST: Futaba Ishizaki, Anna Laudere, Charlotte Larzelere, Ida Praetorius, Ana Torrequebrada Joaquin Angelucci, Gabriel Barbosa, Daniele Bonelli, Francesco Cortese, Alessandro Frola, Aleix Martínez, Matias Oberlin, Alexandre Riabko, Moisés Romero, Alexandr Trusch 2 hours | 1 intermission Part I: 55 minutes, Part 2: 35 minutes
July 19, 2025
Artistic depiction of the event

Demian

Sat, Jul 19, 2025, 20:00
Hamburg Ballett (Ensemble), Vitali Alekseenok (Conductor), Philharmonisches Staatsorchester Hamburg (Orchestra)
Demis Volpi creates his first full-length ballet for the Hamburg Ballet loosely based on Hermann Hesse’s "Demian" – a coming-of-age novel which, during the course of the 20th century has cyclically resurfaced, usually in times of major global political conflict. In the novel a man looks back on his childhood and youth, pondering on the events which have shaped him and the beliefs and forces from which he emancipated himself. Questions about the essence of good and evil, the inevitable encounter with one's own demons and the inner struggle which is reflected in the larger, global strife form a profound foundation for exploring fundamental questions about life, the world and one’s place in it. Do we face the darkness, the foreboding, the restlessness? Or do we block them out? What choices to we make? And: will the ground we thought was safe actually hold us? Choreography: Demis Volpi Music: N.N. Libretto: Maurice Lenhard Dramaturgy: Vivien Arnold Set: Stefanie Braun Costumes: Thomas Lempertz Lighting Design: Bonnie Beecher PREMIERE : Hamburg Ballet, State Opera, Hamburg, July 6, 2025
July 20, 2025
Artistic depiction of the event

Nijinsky Gala L

Sun, Jul 20, 2025, 18:00
Hamburg Ballett (Ensemble), Philharmonisches Staatsorchester Hamburg (Orchestra)
The grand finale of the Hamburg Ballet-Days and of the season will be the "Nijinsky Gala L". The annual gala which is always dedicated to a dance-specific or ballet-historical theme features dancers of the Hamburg Ballet and internationally acclaimed guest stars. Audiences will have the opportunity to see excerpts of various ballets by Demis Volpi, John Neumeier and other choreographers.